The Bones of J.R. Jones

Special Matinee Performance !

The Bones of J.R. Jones

Jeremy Lyon

Sun, May 13, 2018

3:00 pm

This event is 21 and over

The Bones of J.R. Jones
The Bones of J.R. Jones
When Jonathon Robert Linaberry needs a break from city life, he goes Upstate, near the Catskills, to renovate a little farmhouse he purchased a couple of years back. As he pours himself into his work, J.R. doesn’t think about texts, email, or even his music, which he performs solo under the moniker The Bones Of J.R. Jones. His only focus is the house.

“That’s been an amazing emotional outlet for me,” he says of his periodic retreats. “To kind of sustain myself after coming from the road and getting back into the grind of the city, to have this, for lack of a better term, Shangri-La.”

In a sense, recording and touring as The Bones Of J.R. Jones is its own form of isolation. But you wouldn’t immediately think so: As a one-man band, J.R.’s project, which fuses a moody blend of soul, blues, roots, and Americana, sounds enormous both on record and live in concert. That’s because J.R. plays—and has grown accustomed to playing—every instrument by himself.
He’s happy to report, though, that he’s a lot less solitary on his forthcoming third full-length album, Ones To Keep Close, which is due to arrive on May 11. In addition to workshopping the 11-track album with producer and good friend Rob Niederpruem at Hyperballad Music in Brooklyn, J.R. also called on soul-psych luminary Nicole Atkins, who guests on the album’s jangly lead single, “Burden.”

“I played a show with [Nicole] in Philadelphia a few months back, and we totally hit it off,” says J.R. of how they met. “It was the first time I ever got to see her live. She’s amazing live, and I guess she liked what I was doing, so we kept in touch. I approached her with this idea of doing a duet, and she agreed!”

It’s fitting then, that “Burden,” a quick-footed tune about the emotional isolation that comes with touring as a one-man band, would be performed by two people.

“‘Burden’ comes from a spot of catharsis,” says J.R. “I tour a lot by myself, and it’s tough doing it by yourself, being alone all of the time. The whole idea of ‘Burden’ was having that person to share that with. Kind of like misery loves company. Having someone be there. To be your rock. No judgement, just I’m here for you.”
Jeremy Lyon
Jeremy Lyon
In the summer of 2016, Jeremy Lyon found himself anchorless. His band had broken up after five years of touring the country, and Lyon felt consumed by uncertainty about the future — both his own and America’s. So he picked up a pen.

“It was the first time I was writing without needing anyone else’s approval,” says Lyon, an Oakland native. “So I stopped worrying about taste or whether a song was good until after it was done -- and that opened the floodgates.”

King Dream is the result. With a soulful voice, roots in the golden age of California psychedelia, and a modern indie rock energy that places him firmly in the 21st century, Lyon charts a path through timeless themes: disillusionment with oneself, with adulthood, with one’s country — and the discovery, time and again, that somehow there’s still plenty worthy of a love song.
Venue Information:
Hotel Utah
500 4th Street
San Francisco, CA, 94107
http://www.hotelutah.com/